anima condivisa
obscuritas
L'incontro tra Silvia Morandi, Alexandra Kaufmann ed un piccolo balestruccio rivela il corpo come luogo in cui ritrovarsi.
L'azione sfida qualsiasi analisi, in quanto in parte si trova nel regno in cui le parole ancora non esistono.
Ci si deve collegare alle mani erranti della natura per poter scoprire quello che possiamo chiamare anima condivisa.
Miroslava Hajek
In the encounter between the artists and a little house Martin, a flow of proximity between two realities of the living being reveals the body as a place in which to find oneself.
Finally, all the partial images that are seen must be reassembled together; all that the versatility of the eye disperses must be brought together; one must connect to the wandering hands of nature in order to discover what we can call a shared soul.
Miroslava Hajek
Curated by: Miroslava Hajek
Live performance: Silvia Morandi and a little house martin
Photos by Alexandra Kaufmann
Color grading by Daniel Kraus
Palais Mamming Museum, Meran in collaborazione con Kunsthalle West, Lana (bz)
Ita Nel giugno 2020 la Performer Silvia Morandi inizia ad allevare un balestruccio rondinino caduto dal nido, in quanto il Centro Avifauna in quel momento era chiuso.
Affascinata dalla gentilezza di un essere tanto piccolo quanto profondamente connesso e vitale, l’artista accoglie il suggerimento della Curatrice Miroslava Hajek e realizza un progetto fotografico in collaborazione con la cara amica Alexandra Kaufmann, documentarista di Monaco particolarmente sensibile in relazione alla tutela degli animali.
Ogni scatto presente in mostra restituisce una traccia viva e vibrante di tale esperienza ed induce a cogliere il battito d'ali che ha originato il tutto. Attualizzando temi e domande che attraversano l’arte contemporanea, il progetto invita ad integrare nuove forme di connessione con la Natura e coltivare pratiche attive di tutela dell’ambiente, ascolto e consapevolezza.
En In June 2020 the performer Silvia Morandi began to raise a martin that had fallen from its nest, as the Birdlife Center was closed at that time. The time spent with the bird allows Silvia Morandi to gradually access its world and be fascinated by the gentleness of such a small, yet so deeply connected and lively creature. At the suggestion of the curator Miroslava Hajek, the artist realizes a photographic project inviting her dear friend Alexandra Kaufmann, a documentary maker from Munich who is particularly sensitive to animal protection, to Bolzano. The photos in the exhibition give back a lively and vibrant trace of the meeting between the artists and the little martin, which took place on a Sunday in July. Within a suspension between art and life, soul of a language on the border between performance, cinematic action and photography, each shot in the exhibition induces us to grasp the beating of wings that originated everything. By raising themes and questions that run through contemporary art, the project invites us to integrate new forms of connection with Nature and to cultivate active practices of environmental protection, listening and awareness in the simple gestures of everyday life.
